adobe generative ai 1

Grace Yee, Senior Director of Ethical Innovation AI Ethics and Accessibility at Adobe Interview Series

Adobe’s Claims Next Generative AI Features Will Be Commercially Safe

adobe generative ai

Speaking of “early access” features, Adobe introduced AI-powered Lens Blur as an early access tool last year. With today’s Lightroom ecosystem update, it is finally available to everyone, no strings attached. For those who want it, it’s available in all versions of Adobe Lightroom beginning today as an “early access” feature. While it’s easy to think about “generative AI” in terms of adding something to a scene, it also makes sense for removal, as to do so convincingly, new pixels must be made to replace what is taken out of the frame.

By being open about our data sources, training methodologies, and the ethical safeguards we have in place, we empower users to make informed decisions about how they interact with our products. This transparency not only aligns with our core AI Ethics principles but also fosters a collaborative relationship with our users. Adobe could improve the user experience dramatically by simply including the reason a generation gets flagged as a guideline violation. They request we use their feedback system when this happens, but don’t give us any feedback in return.

Make sure you’re running the right version

There, a user’s remaining number of generative credits is shown and it reloads in real-time. There is no indication inside any of Adobe’s apps that tells a user a tool requires a Generative Credit and there is also no note showing how many credits remain on an account. Adobe’s FAQ page says that the generative credits available to a user can be seen after logging into their account on the web, but PetaPixel found this isn’t the case, at least not for any of its team members.

The future of content creation and production with generative AI – the Adobe Blog

The future of content creation and production with generative AI.

Posted: Wed, 11 Dec 2024 08:00:00 GMT [source]

The Firefly Video Model (beta) is set to extend Adobe’s family of generative AI models and make Firefly one of the most comprehensive model offerings for creative teams. It is available today through a limited public beta with the goal of garnering feedback from small groups of creative professionals. Adobe is upgrading those existing capabilities to a new AI model called the Firefly Image 3 Model. According to the company, the update will improve both the quality and variety of the content that the features generates.

Adobe’s new AI tools will make your next creative project a breeze

By Jess Weatherbed, a news writer focused on creative industries, computing, and internet culture. To its credit, two of the three options Generative Remove suggested did provide usable alternatives. Unfortunately, the Bitcoin option was the first one, which (whether Adobe intends this or not) tells an editor that it is what the platform feels is the best result. While this kind of makes sense if you don’t think about it too hard, it also is completely counterintuitive to the concept of the name of the tool and the result an editor is expecting. “Select the entire object/person, including its shadow, reflection, and any disconnected parts (such as a hand on someone else’s shoulder). For example, if you select a person and miss their feet, Lightroom tries to rebuild a new person to fit the feet,” the article reads.

adobe generative ai

“It’s another way to penetrate and radiate the user base,” Gartner analyst Frances Karamouzis said. The new Media Intelligence tool in Premiere Pro follows the introduction of other AI-driven features including Firefly-powered Generative Extend. If I am selecting a body part and asking a tool to fill or remove that space, zero percent of the time would I want it to replace my selection with its eldritch nightmare version of that exact same thing. What I, and any editor doing this, want is for what is selected to be removed as seamlessly as possible. GPU-accelerated, AI-powered video retiming tool can now be used without a host app, for under half the price of a regular plugin license. Internally, IBM is also using Adobe Firefly to streamline workflows, leveraging generative art, Photoshop, Illustrator, and Firefly’s AI capabilities.

Generative Extend is coming to the Adobe Premiere Pro beta

That’s an existing Illustrator feature for creating scalable vector, or easily resizable, versions of an image. According to Adobe, its engineers have enhanced the visual fidelity of the feature’s output. Or perhaps someone likes the look of an image but wishes that the subject were somewhere else in the frame.

  • Leading enterprises including the Coca-Cola Company, Dick’s Sporting Goods, Major League Baseball, and Marriott International currently use Adobe Experience Platform (AEP) to power their customer experience initiatives.
  • “Dubbing and Lip Sync” can translate and edit lip movement for video audio into 14 different languages, and a new InDesign tool can automatically format text and images for print and digital media using predefined templates.
  • One of the biggest announcements for videographers during Adobe Max 2024 is the ability to expand a clip that’s too short.
  • Illustrator and Photoshop have received GenAI tools with the goal of improving user experience and allowing more freedom for users to express their creativity and skills.

My advice would be to begin by establishing clear, simple, and practical principles that can guide your efforts. Often, I see companies or organizations focused on what looks good in theory, but their principles aren’t practical. The reason why our principles have stood the test of time is because we designed them to be actionable.

Adobe Firefly Feature Deep Dive

Firefly is featured in numerous Adobe apps, including Photoshop, Express, and Illustrator, and with the introduction of the Firefly Video Model (beta), it is coming to Premiere Pro, Adobe’s venerable video editing software. At the heart of Adobe’s announcements is the expansion of its Firefly family of generative AI models. The company introduced a new Firefly Video Model, currently in beta, which allows users to generate video content from text and image prompts.

adobe generative ai

While the company was not proactive about alerting users to this change, Adobe does have a detailed FAQ page that includes almost all the information required to understand how Generative Credits work in its apps. As of January 17, Adobe started enforcing generative credit limits “on select plans” and tracking use on all of them. When it comes to generative artificial intelligence (AI), one company that has been at the forefront on the software side is Adobe (ADBE -0.43%). The company has added a number of AI-related features to both its Creative line of products, such as Photoshop, and its Acrobat-led Document Cloud business. Since many mobile devices shoot HDR photos, software has continually expanded its support for HDR image editing, Lightroom among them. With HDR Optimization, Lightroom users can achieve brighter highlights, deeper shadows, and more saturated colors in HDR photos.

For Creative Bloq, Ian combines his experiences to bring the latest news on digital art, VFX and video games and tech, and in his spare time he doodles in Procreate, ArtRage, and Rebelle while finding time to play Xbox and PS5. As some examples above show, it is absolutely possible to get fantastic results using Generative Remove and Generative Fill. But they’re not a panacea, even if that is what photographers want, and more importantly, what Adobe is working toward. There is still need to utilize other non-generative AI tools inside Adobe’s photo software, even though they aren’t always convenient or quick. As its name suggests, Generative Remove generates new pixels using artificial intelligence.

Adobe’s Claims Next Generative AI Features Will Be ’Commercially Safe‘

The new AI features will be available in a stable release of the software “later this year”. Generate Similar, shown above, automatically generates variations of a source image, making it possible to iterate more quickly on design ideas. Users can guide the output by entering a brief text description, with Photoshop automatically matching the lighting and perspective of the foreground objects in the content it generates. In Photoshop 25.9, they are joined by the ability to create entire images from scratch, in the shape of new text-to-image system Generate Image.

adobe generative ai

“Think of these ‘controls’ as the digital equivalent of the paintbrush in Photoshop,” says Alexandru. If you’re a digital artist fed up with hearing prompt jockeys tell you to get over generative AI art’s impact, then Alexandru Costin, Vice President of Generative AI and Sensei at Adobe, has some good news for you as we begin 2025. Get the latest information about companies, products, careers, and funding in the technology industry across emerging markets globally. I suspect this may be for similar reasons, that Stable Diffusion XL (SDXL) works best in 1024 pixel aspect ratios. I’ve found that limiting the expand or fill areas to 1024 pixels improves results.

The company sees this tool as helpful in creating storyboards, generating B-roll clips, or augmenting live-action footage. Labrecque has authored a number of books and video course publications on design and development technologies, tools, and concepts through publishers which include LinkedIn Learning (Lynda.com), Peachpit Press, and Adobe. He has spoken at large design and technology conferences such as Adobe MAX and for a variety of smaller creative communities.

  • Even if the company isn’t enforcing these limits yet, it didn’t tell users that it was tracking usage either.
  • “I think Adobe has done such a great job of integrating new tools to make the process easier,” said Angel Acevedo, graphic designer and director of the apparel company God is a designer.
  • At Sundance 2025 in Utah, the creative tech giant has announced a new AI-powered Media Intelligence tool that automatically analyses visuals across thousands of clips in seconds.
  • In Q4 of last year, the company generated $569 million in new digital media ARR, so this would be a deceleration and could lead to lower revenue growth in the future.

Further, Firefly offers a variety of camera controls, including angle, motion, and zoom, enabling people to finetune the video results. It’s also possible to generate new video using reference images, which may be especially helpful when trying to create B-roll that can seamlessly fit into an existing project. Adobe is one of several technology companies working on AI video generation capabilities. OpenAI’s Sora promises to let users create minute-long video clips, while Meta recently announced its Movie Gen video model and Google unveiled Veo back in May. It is available today through a limited public beta to garner initial feedback from a small group of creative professionals, which will be used to continue to refine and improve the model, according to Adobe.

They utilize AI to significantly speed up and improve image editing without taking control away from the photographer. To address this, Adobe founded the Content Authenticity Initiative (CAI) in 2019 to build a more trustworthy and transparent digital ecosystem for consumers. The CAI implementsour solution to build trust online– called Content Credentials. Content Credentials include “ingredients” or important information such as the creator’s name, the date an image was created, what tools were used to create an image and any edits that were made along the way.

The Generate Similar tool is fairly self-explanatory — it can generate variants of an object in the image until you find one you prefer. Adobe is upgrading its Premiere Pro video editing application with a generative AI model called the Firefly Video Model. It powers a new feature called Generative Extend that can extend a clip by two seconds at beginning or end. These latest advancements mark another significant step in Adobe’s integration of generative AI into its creative suite.

This upcoming tool takes the power of everything seen in Adobe Firefly AI functions and applies it to generative video. It works incredibly well, even tracking objects that move against similarly toned or colored backgrounds. Photoshop’s latest AI features bring in more precise removal tools, allowing you to brush an area for Photoshop to identify the distraction and remove it seamlessly.

Adobe’s CFO: Agentic AI is a ‘natural evolution’ for the company – Fortune

Adobe’s CFO: Agentic AI is a ‘natural evolution’ for the company.

Posted: Fri, 24 Jan 2025 11:58:00 GMT [source]

Its Content Credentials watermarks are applied to whatever the video model outputs. In Firefly Services, a collection of creative and generative APIs for enterprises, Adobe unveiled new offerings to scale production workflows. This includes Dubbing and Lip Sync, now in beta, which uses generative AI for video content to translate spoken dialogue into different languages while maintaining the sound of the original voice with matching lip sync.

adobe generative ai

In addition, he is the founder of Securities.io, a platform focused on investing in cutting-edge technologies that are redefining the future and reshaping entire sectors. As generative AI continues to scale, it will be even more important to promote widespread adoption of Content Credentials to restore trust in digital content. For those seeking more control, consider exploring tools like Stable Diffusion and ComfyUI. While they have a steeper learning curve and require a GPU with at least 6-8GB of VRAM, they can easily blow Photoshop out of the water.

While a lot of the focus has been on generative AI, Adobe continues to roll out workflow-focused AI features across its Creative Cloud suite too. I’d argue this increase is mostly coming from all the generative AI investments for Adobe Firefly. But speak to serious photographers who use Lightroom and Photoshop for editing their photos, and I’d be willing to wager that most of them don’t need any of the generative tools that Adobe wants to sell to us via this price increase.

Sony A7Siii Housing and Rental

The A7Siii has been one of the most hotly anticipated cameras of 2020.

Many people have been asking us about housing options for this camera, and we have finally got our hands on one.

Luckily, the housing fits perfectly in our existing A-PROii housings that are designed for use with the A7RiV and A9ii cameras.

We have these housings in stock, available now!

https://saltysurfhousings.com/old-salty/product/sony-a-proii-housing/

The BOOSTED housing allows for fitment of the battery grip, which is ideal for long sessions shooting video with the A7Siii.

https://saltysurfhousings.com/old-salty/product/sony-aproii-boosted-housing/

Our A7Siii and housings are also available for rental from AUD200/day.

RED KOMODO Housings and Rental

We have been secretly working with RED for the last few months to develop a dedicated surf housing for the exciting new KOMODO camera.

And we are stoked to announce that our KOMODO housings are now shipping, and are officially RED APPROVED!

RED were also kind enough to create a one of a kind, custom painted KOMODO, inspired by our custom painted housings.

We have two housing offerings for the KOMODO – the standard housing, and a compact offering.

Both housings accomodate the KOMODO camera with up to BP-975 sized batteries. The standard housing also fits the Atomos Shinobi monitor. The compact housing is designed to be used with an external monitor, or as a remotely rigged solution (using waterproof SDI cabling), or simply as a tiny housing using the top screen for image review.

If you are keen to get the KOMODO in the water our housings are shipping now!

https://saltysurfhousings.com/old-salty/product/red-komodo-housing/

We are also offering rentals of our KOMODO camera and housing, from AUD350/day.

Rent – RED DSMC2 Surf Housings

We have two rental options available for RED DSMC2 cameras.

Our compact DSMC2 housing, and our DMSC2 I/O housing.

Both housings work with the Raven, Scarlet-W, Epic-W, Weapon, and DSMC2 (Gemini, Helium & Monstro) cameras.

 

The DSMC2 housing is great for action shots or where a compact housing is required.

The I/O housing provides opportunity for larger monitors and SDI output.

 

Both come with leak detection systems fitted, for peace of mind.

 

The I/O housing can be optioned with a SDI bulkhead and waterproof cabling, providing directors monitoring.

15m and 45m cables available.

 

Various ports, including Leica-R CINE-MOD available.

 

Rates from AUD500/day or $1500/week.

Rent Leica-R CINE-MOD Lenses

We now have an amazing set of Leica-R CINE-MOD EF mount lenses available for rental.

 

Leica Elmarit-R 24mm f2.8

Leica Summicron-R 35mm f2

Leica Summicron-R 50mm f2

Flat port with focus and iris control – suits Salty RED DSMC2 housings.

6 inch dome port with focus control – suits Salty RED DSMC2 housings.

 

These lenses have been CINE-MOD’d by Duclos lenses, which involves a Canon EF mount conversion, 0.8 module gears, declicked iris, and a 80mm front ring on all lenses.

 

We chose these 3 lenses because they all work in the same lens port on our RED housings.

 

Lenses available to rent individually or as a kit in a custom Pelican case.

 

Rates from AUD125/day/lens or AUD350/day/kit.

 

Email matt@saltysurfhousings.com for more info.

 

Sony Full-Frame Fisheye Options

One of the most asked questions lately is ‘what fisheye can I use with the A7iii/A9’?

 

There are a handful of options out there, however in my opinion, at the moment there is no ‘perfect solution’.

 

If you are after the highest quality option, and have no budget constraints, then go for the Canon 8-15mm + Sigma MC-11 adapter.

 

If your budget can’t stretch for the 8-15mm, and you don’t think you will need autofocus, then the Rokinon 12mm f2.8 is a great option.

 

My top four options:

Lens Price Pros Cons Salty Port
Sony FE 28mm + 16mm Fisheye Converter US750 Autofocus.

Relatively affordable.

Gives you two lenses (16mm + 28mm)

Quality concerns of converter.

Long and heavy with the converter.

M-D6.3

M-D8.3

Canon 8-15mm + Sigma MC-11 Adapter US1400 Canon ‘L’ quality.

Very fast autofocus.

Circular and full frame fisheye options.

Expensive.

Only slightly lighter and smaller than the 28mm + converter.

M-D6.3

M-D8.3

Rokinon/Samyang 12mm f2.8 US500 Cheap.

Good quality.

Manual focus and manual aperture. M-D6.1 + 25mm extension

M-D8.1 + 25mm extension

Rokinon 8mm f2.8 US300 Cheapest.

Super compact setup.

Manual focus and manual aperture.

Only covers APSC size sensor.

M-D4.1

M-D6.1

M-D8.1

 

The ultimate solution

If you want the highest quality fisheye lens, and budget isn’t of concern, then the Canon 8-15mm fisheye coupled with the Sigma MC-11 adapter is the ultimate solution. It is significantly more expensive than other options, however you may already have the 8-15mm if you are a recent ‘Canon to Sony’ convert, or you may be able to find a cheaper second hand one from someone also switching to mirrorless.

 

The 8-15mm range provides opportunities to shoot circular, as well as 180 degree full frame fisheye. The autofocus is amazingingly fast, even though it is not a native Sony lens. It fits perfectly in our M-D6.3 dome port.

 

This is my personal setup, mostly because I also use the lens on my RED Scarlet-W camera for video/cinema work.

 

Why not the Rokinon lenses?

The Rokinon/ Samyang fisheye lenses are definitely an enticing option at the low price point. However the downside to these lenses is that they are manual focus, and manual aperture only.

 

The 8mm is a really nice compact option, however only covers the APSC sensor size, meaning you won’t be taking advantage of the full frame sensor size of the A7iii/A9. However it is the smallest lens of the options, meaning it will give you the most compact setup in a housing.

 

Historically, fisheye is shot in manual focus, mostly to give you reliable results. However, with the speed and accuracy of autofocus on the new Sony A7iii and A9 cameras, focus reliability is less of a concern that it was 5 years ago.

 

The difficulty with manual focus, is that your focus point needs to be set before you close your housing. This limits you in the style of shots during that session. This is because when shooting underwater you need to focus differently to focusing above water (the reason is a whole other lesson in itself – Google “dome port virtual image”).

 

So, if you have your focus point set for shooting above water and you want to shoot underwater in the same session, all your underwater shots will be out of focus. An autofocus lens obviously overcomes these issues.

 

Wide Angle Alternatives

If fisheye isn’t your thing, but still want to shoot wide with your full-frame Sony camera, there are a handful of wide angle lenses. In order of my personal preference:

  1. Sony 12-24mm (requires the larger STANDARD port system)
  2. Sony 10-18mm (No vignetting in full frame mode at 14-16mm)
  3. Sony 16-35mm (not super wide, but is super versatile with the reach to 35mm).
  4. Laowa 12mm f2.8 Zero-D

 

There are a few other fisheye and wide angle options out there, however I have not tested them so cannot comment on them. These include the old school Canon 15mm fisheye + MC-11, and a couple of Sigma EF fisheye option + MC-11.

 

Do you have any other recommendations for fisheye or wide angle on a Sony full-frame camera? Email matt@saltysurfhousings.com, and I can include them in this article.

 

Sony A7iii Surf Photography

The Sony A7iii is the ultimate bang-for-buck camera you can buy in 2018.

Well, that’s pretty much all you need to know, but I guess you might want to know why I think this.

 

The A7iii offers a full frame sensor, high frames per second shooting, and 4K video all at a relatively affordable price, all packed into a compact & lightweight camera body. This puts it high on the list of surf photography suitable cameras.

 

Features

  • Compact body. Compared with traditional DSLR cameras (like the Canon 5D) the A7iii is tiny! This is great for shooting in the water when coupled with a compact housing.
  • Battery life. The A7iii uses the new NP-FZ100 batteries. The battery life of the A6X00 and A7ii was one of the biggest let-down of these cameras. The new batteries offer approximately 2.2x the battery life compared with the A6X00/A7ii. More than enough for a solid swim, or a couple of sessions shooting from the beach.
  • Full-frame. The full-frame ‘look’. Better low-light performance, more depth of view, wider field of view, when compared with a crop sensor camera.
  • 10fps shooting. You might fill up a card quickly, but you will have plenty of choices picking the best shot when capturing the fast paced action.

 

A7iii Housings

The A7iii shares the same basic camera body as the A9 and A7Riii, so works perfectly in our A9 housing.

As such, we have decided to rename this housing to our ‘ɑ-PRO’ housing.

 

We have two options for housings:

 

The standard housing is super compact, and amazingly light!

 

The BOOSTED housing offers a crazy amount of battery power in the water, probably more than you could swim in one session. However, I personally shoot with the BOOSTED housing for a few reasons:

  • Add a 128GB card and you can shoot multiple sessions without removing the camera from the housing.
  • The ODI Vans side handle, offers added stability (and looks bad-ass!).
  • Better balanced with larger lenses. Using Sony GM lenses means larger ports that often overshadow the standard housing. The larger BOOSTED housing offers a more balanced setup, yet is still compact compared with other manufacturers housing offerings.

What makes our housings different to other manufacturers?

  • Compact, form fitting design – not a ‘one size fits all’ approach
  • On/Off switch
  • Custom paint options
  • Multiple port options, including ports for 12-24mm, 16-35mm and 70-200mm
  • 20m depth rating

Here is a photo, sent to us by one of our customers.

This shows our ɑ-PRO BOOSTED housing (right) next to another manufacturer’s standard A9 housing (left)

 

Camera Alternatives

If you have more cash to splash around, you might consider the A9 or the A7Riii.

The A7Riii offers an insane 42MP, whilst the A9 provides 20fps and blackout free EVF shooting.

If the budget does not stretch to the A7iii, consider an A6500 (or the even cheaper A6000 or A6300).

 

Conclusion

The Sony A7iii is a relatively affordable camera, that has professional level features suitable for surf photography.

If you are looking to take your shooting to the next level, or simply want to downsize from a DSLR, the A7iii is one of your best options on the market today.

There’s a variety of housings on the market available for the A7iii, of which will all also suit the A7Riii or A9 should you ever want to upgrade in the future.